Hello everyone! I’ve just shipped out what is probably the most gorgeous Clariel style blade I’ve ever made. It took me a little over a week from start to finish. Remember when it took me 3 – 4 weeks to make sword?!
I’m so pleased with how far I’ve come with my crafting. It’s been a long and frustrating journey with big bites taken out of it for illness and surgery. Life doesn’t always cooperate with what we want to do. We all do the best we can.
I continue studying, experimenting, and swearing at my tools to bring you better and better artwork.
About the piece: This shadowhunter requested only the angelic rune on the handle, a black wrapping, and a frosted finish on the blade.
The snap closure on the wrap is the tiniest I’ve ever used so it’s quite difficult to spot if you don’t know what you’re looking for. I decided to shape the leather flap (which covers the light fixture) in two separate pieces and adhere them together. This resulted in a covering that conforms to the shape of the handle much better than forcing a single piece of leather to go over multiple curves.
If you want your very own Clariel, you can pop over to my Etsy shop and get one made for you. Please note: I go on holiday at the end of this week so your sword will come to you in the new year if you order now. 🙂
That’s all from me for today. Thanks for stopping by!
Quick update on Clariel before I go running off to the workshop again. I’ve been super busy with the holidays coming up.
I’ve already got the sanding, the other rune carved on the other side, and the base coats of paint on the handle … but I forgot to take a pic before I left the workshop last night. Sorry! Super busy! Thanks for stopping by! Gotta run now.
Hello everyone! Sorry I’ve been quiet. I’ve been struggling with various things. Briefly: illness (I’m better now!), research (you don’t wanna see pics of me reading; BORING), annnd finding out that my new tiny workshop is too hot in the summer for me to do my work properly or be at all comfortable.
I’m hunting for solutions to that last problem there. Looking for a new workshop, or a house to rent that has a garage or some outdoor space I can work in, or an air conditioner at a reasonable price, or a refrigerator to at least keep my silicone and resin at a proper working temperature. It needs to be about 21 to 23 degrees. My workshop is currently 27 degrees so everything is curing way too fast.
I have a wee electric cooler, but it drips water continuously from its cooling fins inside. So much so that it actually grew mold on the wooden backing of my thermometer that I had in it.
That’s no good. 1. I’m allergic to mold, and 2. urethane resin is really really sensitive to moisture. It can’t sit in a puddle and then be expected to work.
NEXT! I am currently moulding a brand new witchlight model.
At this point, I have the silicone done and an outer jacket made of the usual burlap and plaster. I’m practising the brush-on method of silicone moulding even though this piece is clearly small enough to get away with a pouring mould. Practise is important to refining technique and I can’t let the opportunity go to waste!
The benefit of the brush-on method is that you can use less silicone which is crazy, crazy expensive. The downside is that you have to make a hard jacket to keep the mould stable because it’s going to be thinner and clamping it can squish the mould. The other downside of brushing on is that there’s a risk you won’t get the silicone into all the little details of the piece you’re working on, especially if there’s undercuts or weird textures.
I will find out today if it worked all right! I’d show it to you now but someone forgot to take a picture of it. I blame Cool Kevin.
NEEEEXT! I’m conducting experiments on different types of resins and epoxies in an effort to find a cheaper material to make my swords. I’m using a little silicone skull mould for the test.
Okay so this is TFC EP Casting Resin Epoxy from TrollFactory. I have tried casting witchlight parts, roses, and this skull here with it. All of them had at least part of the casting fail to cure. This test actually damaged my mould. It will be disposed of. Maybe some people can get it to work but I find it far too finicky. That, and it comes out a pale pink, making it unsuitable for swords or witchlights.
This little fail is made of ZDS epoxy resin. I discovered that I accidentally added the wrong amount of hardener so while it did harden completely, it also went bonkers all over the outside. I tested it again adding the correct amount of hardener this time!
Well! What do you know? It works better when you follow the instructions! The better version still has some bubbles and flaws in it though and this presents a problem. In order to ensure that there won’t be bubbles, I’d have to put it into my pressure pot while it’s curing. But it needs to be kept at 70 degrees while it’s curing or it won’t harden fully. How to keep it warm while under pressure? I don’t know! And that really won’t help with the swords because I don’t have a pressure pot big enough to fit a sword inside it.
The next test is going to be using polyester resin. I really don’t want to, because it smells bad and wearing my respirator all day is stuffy and annoying. But I don’t really see another option at this point. I literally cannot afford to lower my prices any more than what they’re at now unless I turn to a less expensive material.
It’s a difficult situation. I want to make my stuff more affordable to more people so everybody can have the pretty things they want but ultimately, I also have to pay rent on the workshop, buy materials to make the art, advertise my stuff so people can actually find it, and also … y’know, eat food. Otherwise, none of this can happen at all.
Yep, you read that right. The beautiful, exotic Zaapiel is coming to my Etsy shop. Possibly as early as this week!
Does it light up? Pffft, guys. You’re at Inklbade Studios. Of course it lights up!
Why does the sword have a couple wires sticking out of it? This beauty is a custom job, designed to be decorate a pinball machine, so it needed to be modified to hook up directly to the machine. If you need any kind of custom modifications for power sources, you need only ask. I’m quite flexible.
Now everybody likes to see the insanity of my crafting process so let’s have some pics!
Yeah! Never had a doubt. 🙂 … Not for a second. Nope.
So I’ve got one of these Zaapiels in the mould at work. I just have to go get it out and start sanding. The next question is: who would like a lovely glowing scimitar?
In other news, I am still working on the witchlights. The thing that I’m having problems with is getting the lid to line up properly and look like it’s part of the whole rock. I know how I want it to work but how to get it to that point is a real brain-twister.
Here’s what the underside of the witchlight looks like right now on my prototype. The lid at least sits flush on the opening and extends a few millimetres into the body of the rock so it doesn’t rattle around. But how to get it to look like there isn’t a seam? Hmm … still working on it. Thanks to everybody who’s been patient so far! I’m close to the solution.
I have two crystal-clear, LED-equipped Seraph Blades in my Etsy shop for only 370 Euros each! Is one of them for you? Regular price is 415 Euros so if you want reaaaally want one, this is your best chance.
What a crazy week. I spent the whole of it waiting for a resin shipment to arrive so I could finish these doll heads. Due to a mix-up with the ordering (PayPal apparently farted or something) it will arrive this week instead.
But I didn’t spend all that time doing nothing!
I’ve got not one, but two new swords in the works.
Everybody remember the cool ring-sword Zaapiel that I made for a wedding?
It’s making a comeback for a very special project!
From humble beginnings traced onto a piece of foam insulation …
To a cut and and honed profile …
To a sleek shape ready for patching, sealing, and finally, its first moulding. But it will have to wait until my table is clear.
THIS bad boy is currently taking up all the space! What’s all the pink stuff? That is light, air-dry clay that I use to fill voids in the insulation that I carve the first prototypes from. There’s always some air bubbles and cavities in foam insulation and this makes holes in the swords that I really don’t want. So I fill them before I seal them to ensure a nice even shape.
Here’s Sariel chilling out in its moulding “box”. I’ve been experimenting with more flexible walls for the moulding boxes so that I don’t have to use as much silicone or other moulding compound. Most swords aren’t just big rectangles, so filling that extra space in the corners of the box is a lot of wasted material! I’m doing my best to reduce costs for crafting my pieces so that more people can afford them. This … isn’t easy. I have to spend a lot of time problem solving and trying out different things before I find something that actually works well.
Part of that cost-cutting effort is right here in this “box”. I’m using liquid latex as a moulding compound. On the upside: liquid latex is cheap and also bio-degradable over time. On the downside: it takes many coats and takes a long time to dry between coats so what it saves me in cash, it costs me in hours. I’m currently trying to work out if it’s going to be worth it to do latex layers, or if I’m going to have to buy a ton of alginate and try to do it that way.
I haaaaate using non-bio-degradable materials for prototypes. It’s so bad for the environment to make something that’s going to last forever and then only use it once. The foam I’m using for my first prototypes isn’t bio-degradable (I think) but I have a huge slab of it so I have to use it up. I’m still working out what I’m going to use instead after the foam is all gone.
Hi guys! I have to try to show and tell you lots of stuff while being really quick cause I have to go move my workshop. YES! I am moving. From the 3rd floor to the 4th floor. LOL
My previous space was too expensive for me. Almost 600 euros a month. That, coupled with the cost of materials to make my shinies (silicone is ridiculously expensive, I’m not even kidding), and my vacuum pump dying and needing replacement (I’m degassing things in a couple stages as it limps along with its last gasps of life) I could not afford to stay there.
So: we’re going from 37 square meters down to 15 square meters. This is okay because I had way too much space to begin with. But … the new room also doesn’t have access to water. So I have to schlep a water reservoir from the bathroom to my workroom when I run out. Booo. Well, I guess I’m about to become very strong? Yay.
My wife helped me move all the things that needed two people to move yesterday (Sunday). Bless her heart for sacrificing a day off lifting and lugging with me.
Now, on to the stuff I’ve been working on! Quick quick GO!
I made a witchlight! Yay!
It didn’t work! Boo.
I shaved it down.
It … kinda works! Yay? Not good enough. I’ll keep trying!
How did the moulding go? Don’t know! Not finished yet. Not touching it until it’s safely settled in the new workshop!
Next thing GO!
More carving done on Sariel!
Yes! In about a month you will be able to get your hands on a glorious longsword like the one that Isabelle Lightwood wielded in The Mortal Instruments movie! Woo! Send thoughts n’ prayers that everything goes smoothly.
Wait, didn’t you just have a holiday Ethan? I did, a bit earlier in the summer, yes, but I had to chop my holiday time in half and take it in two parts because of my wife’s work. So I finally got to have the other half of my vacation.
What’s been going on at the workshop?
I’ve been putting the finishing touches on a couple brand new Clariels!
I’ve actually managed to significantly lower my shipping costs by switching to a different carrier. For example, if you live in Australia, you can now pay about 40 euros for shipping instead of a whopping 103 that FedEx was charging me. Whew! I told you guys I’m always working hard to make these things more affordable. It’s tough when you’re talking about hand-made commission artwork but I try my best to find some more wiggle room and put things in reach for more people. I understand tight budgets, believe me.
What else am I working on? Witchlights! I’m trying to put the photo here but my phone is being weird. Darn it. I’ll have to do it later. Anyhow, it doesn’t look very exciting at the moment since I’m just working on the mould and figuring out the circuits. Expect pretty things later!
One more exciting announcement before I head off to work. I’m starting on a new project that has nothing to do with Shadowhunters! I know, I know. Bizarre right? But yes I do do other things! One of my interests is ball-jointed dolls. For those of you who don’t know what that is: they are pose-able art dolls.
Inkblade Studios will be partnering up with Lost Chronicles BJD to cast dolls in resin. Our first project will be a small run of head parts for the nice folks who pre-ordered and made this project possible. Here’s a sneak peak at the 3D printed head I’ll be making a mould of later this week.
I’m pretty excited to be working on this fella! It will be a relief to get to deal with a small amount of resin for once instead of something the size of my arm haha! Wish me luck everybody!
I’m almost finished crafting the third Clariel I made with my first mould. I’m very pleased with how this beauty came together. Gave me no trouble at all. My crafting technique is getting smoother and faster. Yay for practise!
What’s next from the Inkblade Studios? Well, I continue to work on my crazy bucket experiment. Once I’ve confirmed whether or not it works, I can move on to creating a brand new model of sword! Or … will it be a witchlight? Or maybe a stele?! Ahhh help me decide!