After struggling for a long time to make this business work, I realized that I needed a business partner. It’s just too much work for one person to do alone.
I and a friend of mine were set to team up and combine our talents to breathe new life into my studio. Unfortunately, when he arrived in Finland and we spent a few days together, it became clear that we were not compatible as business partners.
I had already closed my business, Inkblade Studios, in preparation to start a new business so now I am without a company.
I could start again with all the same problems as before, or I could just … not. I’ve decided not to. I’m very tired now. I hope you’ll understand. Thanks for all your support and encouragement.
Hi everyone! Yes I’m still not dead. I have moved, again, this time into a house. While I’m setting up my new and improved workshop, I would like to introduce you to this video by Kamui Cosplay. She is one of my heroes of the profession and today she’s talking to us about prices.
If you are commissioning a custom blade from me, please expect at least 800-1000 euros. That’s practically giving the item to you because I don’t get to keep anything but a tiny faction of that.
I’m able to do these prices because my wife works a good full-time job and I should probably respect myself properly and ask for more … but it’s heartbreaking when a customer simply stops responding to me when I tell them the price even though I’m offering it as cheaply as I can without actually losing money. 😦
How can we overcome this together my friends? I want to give you the pretty artworks but the materials are so expensive and I really can’t spend every day all day working for free. This is a fun job but it’s still a job you know?
I’m not going to stop doing commissions and I’m working all the time on new methods of crafting to make things more affordable. But the reality of the situation means that I’m going to have to offer you all some standard merchandise that nobody requested from me personally, but which a larger variety of people could use to complete their costume.
I’m talking about more “plain” styles that you could use for either a Seraph Blade or an elf mage in your LARP. Maybe a selection like this, for example. Things like custom runes or different shapes of blade would be more expensive, of course, because I would have to make the prototype for you individually instead of making a bunch of the same item over and over again. This way, more people will be able to have something cool and not have to pay the price of the sculpture work or the making of the mould. (Remember, silicone is ghastly expensive!)
Why? Well if 20 people say “Hey Ethan you should make the Herondale blades next!” then I have a good idea of what people want. I might get five or ten of those 20 people buy those swords right away and that would allow me to get back the cost of the prototypes I made. That way I don’t get stuck with a bunch of swords nobody wants to buy and you don’t have to pay for the mould and the sculpting work. Everybody wins!
You might think that your voice has no importance but that isn’t true. If I put up a poll asking people which sword model to make next and you’re the only one who responds … guess who gets to pick my next project? You do! So don’t hesitate to tell me your suggestions, even if you’re shy. 🙂
Alright, now I have to go unpack some more boxes. Wish me luck!
Hi everyone! I managed to secure a small workshop in walking distance of my home so now I’ll be able to work again in spite of this pandemic. Yay! It will take a little while for me to get everything set up and working but at least there’s a light at the end of the tunnel now.
Here’s some pictures of the new place.
There’s a park across the street and on the other side of the building is the harbour. Quite a nice place. It’s close enough to my home that I can eat lunch in my apartment and walk back to work. I can also store a bunch of stuff in my apartment so hopefully the small size of the room won’t be a problem.
Tomorrow I’ll be working on the sound-proofing and the work table. Wish me luck!
Okay, so on August 1st the Finnish government ended its recommendation to work from home if possible and many of the Covid restrictions were relaxed. I was able to get to my workshop to pick up some stuff after I healed up from surgery. (I’m pretty much all okay now! Yay!)
My plan was to just get together the prototype for my most recent witchlight attempt, finalize any decisions about that design, and then get back in the workshop and start turning out some swords.
Why do I even make plans anymore? Seriously.
Well, the number of Coronavirus cases has increased again in Finland and it seems that we are heading into our Second Wave. The government has, as of August 13th, reinstated the advisement to work from home if possible and here we are. I am, once again, doing what I can on my kitchen table.
Well we knew this was a possibility. I just thought I’d have a little more time in between First and Second Wave to maybe turn out a sword or two. It hurts my heart that I have to answer all you nice people who have messaged me about buying a sword with uncertainty and vague timelines.
The truth is: I don’t know when I’ll be able to get back to ‘business as usual’. I don’t have a vehicle of my own and it isn’t safe to be taking public transportation every day. It’s not safe for me to be working in an industrial building with recycled air and people who don’t wash their hands nearly enough. I don’t even have water access to my room. I have to get it from the bathroom down the hall or the communal kitchen.
What can I say? I’ll try to keep you updated.
I mentioned witchlights, yes.
The translucent silicone I have looks … well it looks like snot and handles pretty much the same. Yuck. Hopefully it’ll do what I want it to do and I will finally get a method for making these things that actually works.
So uh, if anyone needs me, I’ll be in the kitchen smearing snot on rocks. Stay safe out there.
So, of course, no sooner do I announce that I’ll be back in the workshop on August 1st, when my surgeon calls me and tells me my surgery date has been set for July 30th. Cool.
I’m not ill or injured; this is just one of those lifelong problems we’re trying to fix with my renal system. We almost got it all right the last time except one little bit that didn’t heal properly. Hopefully, this is the last time I’ll have to take a leave from work for medical issues. Fingers crossed.
I’ll need about a week to recover before I can probably go back to work assuming there’s no infections and everything goes nicely. It would be just SO nice if things would go according to my plans once in awhile! Well, ya gotta do what ya gotta do.
Yes, I’m still around. Yes, I still do art. The Work-From-Home recommendation from the Finnish government is currently scheduled to end August 1st. Provided that Coronavirus cases here continue to decline, I will be able to get back to my workshop then.
I promised you that I would always be completely honest with you. That means that some posts are less cheery than others.
I haven’t been posting because … well, frankly there’s been nothing to post. I’ve been working on restoring and modifying an old, broken doll castle and that’s about it. All I have done on that so far is just sanding it in preparation for priming and applying a base coat to the parts. It’s really hard to try and make that look exciting.
When can you place an order for seraph blades again? I’ve taken note of the people who expressed interest in ordering one. I suspect there might be something wrong with my current mould as I’ve been getting a lot of bubbles and delamination in my casts. If there is indeed a problem, I will have to make a new mould. That might take a couple of weeks.
The short answer is: I’m not sure. I’ll have to let you know.
My company has been hit hard by this crisis. As most of you know already, I am a sole-proprietorship. That means I work by myself. A one-person team. While there has been financial relief offered to entrepreneurs, I did not qualify for it. I spent much of last year doing research and development and therefore didn’t make enough money to be “worth” a bailout.
I am disappointed. I was supposed to break even this year. However, I continue to pay rent on my workshop while being unable to work there and because half of the year is already gone, that is no longer a possibility short of some kind of miracle.
What lies ahead for Inkblade Studios? Well, its as good a time as any to rebuild and restructure. I’ll run you through my plans here.
Casting under pressure means few to no bubbles. Typically, pressure casting is done in a pressure pot (most often the size of a paint can) or by injection moulding. Neither of these things are suitable for large, long object like a sword. So I must create a “pressure pot” that is long enough to hold the size moulds I need.
This is tricky because if you are sloppy about your construction methods, it will explode. Since I have no interest in making pipe bombs, I will be taking my time and doing this properly. I’ll just have to beg your patience in the meantime.
I dearly miss carving swords the way I used to do. Nothing I have cast comes close to the optical clarity of the carved swords.
So, so smooth.
These are very labour intensive, though. I need blocks of acrylic resin in specific sizes and lengths. It’s much more cost-effective and time-saving to cast blanks (blocks of solid resin) myself rather than pestering local industrial plastics manufacturers with my bizarre requests. They’re used to making big thick sheets and slabs of plastic, not rods of weird widths and lengths.
With my new power carving tools and custom-sized blanks, I would be able to carve faster and have less waste material to chew through. It would become feasible to return to carving custom blades without having to sell them at a loss.
To make blanks, again, I need pressure-casting. I don’t have the funds or the space for an extrusion machine of my own. That is too far in the future to think about right now.
I have had so many requests for witchtlights. Just so many. I’ve been working on it for ages. It is very, very difficult. My specifications are brutal and I refuse to make an inferior quality product just because it would be easier. Anybody can make a plastic rock with a light inside, but who can make one that doesn’t have a big ugly cap on one side? That’s just a rock-shaped lamp. Seriously, I could do that right now if that was all that was needed.
Thankfully, all that time spent in research and experimentation was not wasted. I have a model that I’m satisfied with producing. I just need to make the final sculpt, take a production-quality mould, and start casting them. Assuming nothing goes wrong–which now that I’ve said so it probably will–I should be making witchlights by the end of the year.
I will also be making some jewelry, amulets, trinkets and such. Smaller items that you can buy for a much more affordable price than the big swords.
That’s about it for now. I have more plans for the future but the others are too far off to discuss right now. Thanks for your patience. I’m doing the best I can with the circumstances and that pretty much means starting over.
Hello! While I’m waiting for electronic parts to arrive, I’ve been working on some doll modifications.
I’m also continuing work on my cat girl doll. You might remember that she came to me with a broken leg. I re-designed her knee joints to make them stronger (using metal instead of plastic). However, the new joints, though strong and very flexible, are rather ugly. So I tried to cover them with some fur-textured epoxy paste.
I’ll probably end up using something like this aesthetic as I continue to experiment. For now, I need to study the other dolls I have collected to see how those manufacturers do their joints and see what I can learn.
As an artist or craftsman, it’s never a bad idea to take the time to learn more about your craft. Time spent practising is never time wasted. Perhaps you’d like to follow along as I take a look at doll joints?
Yep. I’m still hacking away at this project. I’m frustrated, but also very, very stubborn. I managed to mess up my first casting of the year and ended up having to clean uncured, sticky resin goo out of my mould. Hopefully that was just a derp in measuring the quantities of part A and B.
Yesterday, I had a bit of excitement while re-doing that casting. When I started pouring in the resin, it began leaking out of the mould. I realised I had not tied the cord around it tightly enough. Now, because the resin had already been mixed and I had only about 10 minutes left before it gelled, I couldn’t go pull the box of ties down from the shelf, fish out the ball of string, wind it around tight and cut it before the whole operation was ruined.
I stood there, holding onto both sides of the mould, pressing them together, trying to problem solve on the fly. Aha! If I could run into my dust tent, grab a clamp, and get back before too much resin leaked out, I could save the casting! So I did. I dashed into my dust-containment tent, grabbed the first clamp I could get my hands on and ran back to the mould.
Yes, the first clamp I could get my hands on … was about 3 times bigger than the mould itself. LOL! You gotta do what you gotta do eh?
Well, it stopped the leakage sure enough! Today, we will see if the resin cured and, if it did, if the casting will line up correctly with the other half of the witchlight. If it does, I can install the magnets and get to work on the electronics!
If it doesn’t … uh … well I learned something from the experience? Yeah, it will be back to the drawing board for the witchlight project. Well, if it was easy, it would already be available on the market. It isn’t. I know because I want one and I’ve hunted everywhere. I think my company motto is going to be: “Screw it; I’ll do it myself.” Hahaha!
Hello everyone! I’ve just shipped out what is probably the most gorgeous Clariel style blade I’ve ever made. It took me a little over a week from start to finish. Remember when it took me 3 – 4 weeks to make sword?!
I’m so pleased with how far I’ve come with my crafting. It’s been a long and frustrating journey with big bites taken out of it for illness and surgery. Life doesn’t always cooperate with what we want to do. We all do the best we can.
I continue studying, experimenting, and swearing at my tools to bring you better and better artwork.
About the piece: This shadowhunter requested only the angelic rune on the handle, a black wrapping, and a frosted finish on the blade.
The snap closure on the wrap is the tiniest I’ve ever used so it’s quite difficult to spot if you don’t know what you’re looking for. I decided to shape the leather flap (which covers the light fixture) in two separate pieces and adhere them together. This resulted in a covering that conforms to the shape of the handle much better than forcing a single piece of leather to go over multiple curves.
If you want your very own Clariel, you can pop over to my Etsy shop and get one made for you. Please note: I go on holiday at the end of this week so your sword will come to you in the new year if you order now. 🙂
That’s all from me for today. Thanks for stopping by!
Quick update on Clariel before I go running off to the workshop again. I’ve been super busy with the holidays coming up.
I’ve already got the sanding, the other rune carved on the other side, and the base coats of paint on the handle … but I forgot to take a pic before I left the workshop last night. Sorry! Super busy! Thanks for stopping by! Gotta run now.