Things have been crazy. Haven’t had time to post. Sorry!
Here’s a sneak preview of the sea and sky sword I’m working on.
Added a little white froth to make it look like a cresting wave. I like it! We’ll see what the photographer’s schedule is like for this week and try to get everything ready. Still need to hook up the LED and do the wrapping.
Yes I am working on witchlights! I’m having problems getting the two halves to line up and not look super obvious. I want it to look real dangit!
Yep! It’s that time again in Finland where we have holidays sprinkled here, there, and everywhere. I randomly have Wednesday off for Vappu. Okay then. So that makes it three 4-day weeks this month. I do appreciate having time off, sure! It’s just that it’s a little harder to get stuff done.
Enough complaining! Let’s see what’s on my table this week.
Here’s a sneak peek at a newly finished Clariel! This is probably the best handle I’ve ever done on a Clariel before and the new protective varnish I used on the blade is so smooth and glossy! Smells like a nail salon in Hell though. Blech.
This piece is going to be photographed by a pro before I sell it. A red light was requested for the photo shoot but can easily be switched out for my usual white light. (Seriously, all I have to do is pop out the light module and stick the other one in. Takes less than a minute.)
And a sneak preview of the ammonite shell I sculpted for the pommel of the coloured Zaapiel sword. Yep, I spent pretty much all of Friday making tiny clay bananas and sticking them on around and around in a circle. I think this one will also be photographed. Dunno! We’ll have to see what the photographer wants to do. 🙂
That’s all from me for now. I have a bunch of writing stuff to do today. I don’t even know if I’m going to get to the workshop today, but I’m going to do my best anyway!
The long weekend was nice and restful. I needed that. The photo shoot had to be postponed because of the paint-eating disaster. … No I didn’t eat the paint. The sealant ate the paint. I’m not that crazy. Yet.
So the transparent silicone from SeMost worked beautifully for the witchlight mould. I’m in the process of negotiating future orders. Hopefully we can get it all worked out for an agreeable price!
I did a kind of whitish one and then a kind of silvery one. I think the whitish one looks better.
Stuck a light under one to get a feel for how it will look once I can get the lighting rigged up properly.
And a red one just for fun. 🙂
I got some more green paint on the sword and got the initial sculpting done on the light cover in the pommel.
Don’t worry, it’s not going to stay white and marshmallow-looking. I just needed some initial structure to work with and support the design I want to do.
Now I’ve got to hustle off to the workshop and get the next stages going. Hopefully everything goes as planned and nothing breaks. Wish me luck!
So I have a photo shoot coming up with a photographer who just moved into my building this week. Cool! This will give me high quality photos of my stuff that I can use on my website. It’ll also give him more stuff for his portfolio and it will give the model stuff for her portfolio as well. All-around win right?
So the sealant that I put on the sword ate the beautiful solvent paint I had on the handle. The solvent paint that takes 3 days to harden fully. Yeah. That solvent paint. Photo shoot is on this upcoming Sunday. I still have to do the light fixture in the pommel and the seaweed wrap for the handle.
Did I mention I’m also working on these? Yeah. The Clariel there needs to be polished and have its handle sculpted, painted, light fixture in place and magnet closure installed.
Did I also mention the new witchlight mould I’m testing? Yeah. So this is gonna be a short update. I have to run this entire week or this all is not going to get done.
First stop: Hobby Point to get a sealant that won’t eat the solvent paint. Plus some casting resin if they have any on hand. Probably only the stinky crap but I’ll have my respirator on all day from the solvent paint anyway so I might as well. Then try to finish the light fixture while the paint is drying. When I come home, I get to look forward to wet-sanding the Clariel blade cause my apartment has running water and my workshop does not. Obvious choice there.
Tomorrow, will be sculpting the handle for Clariel. Hopefully I can get it done early in the morning so I can get it sanded in the same day. Then it’s on to carving the runes, painting, installing the light … you get the idea. It’s gonna be bonkers.
Hi everyone! Yes I know I didn’t post last week. I’ve been crazy busy with some research & development, working on that sea n’ sky sword, and also doing a writing gig that I got with a local games company. Yay!
A bunch of stuff that’s within my skillset but never done it before. That leaves me with not much to show you but soon I will have stuffs I can take pics of. (Nobody wants to see my random pieces of clay and paint smears. LOL)
Today I will be testing out some new translucent silicone from SEMOST. They were kind enough to send me a sample of their product so I can see how it performs. I am going to be moulding the artificial stone that I created to make my new witchlights. Might as well do something practical with it!
I wanted to try a translucent silicone so that I can see at least some of the voids and bubbles that sometimes mess up my projects and be able to tilt or apply vibration to the right spots to get them out before the resin solidifies.
What’s more: it seems to be cheaper than the Zhermack 22A I’ve been buying from Materialshop. It may be a different story when I buy a bigger quantity of the SEMOST and have to pay customs fees on it … Either way, I’m trying my best to push down the cost of my products while keeping the quality high. This is not an easy thing to do.
This beauty is sitting in my workshop right now, all ready for a heat-cure on the green-blue lacquer you can see on the handle there. What is this wondrous paint that sticks to resin? It’s Deka Transparent Glass Paint.
It’s bold. It’s beautiful. It smells really bad. And nothing else works quite so well! So if you want to treat yourself to this rocking good fun that is painting on resin, you will need a protective mask that will guard against vapours. Yes. Specifically vapour. A regular dust-mask filter will not save you from the smell of this solvent-based paint. I tried just painting it on without any mask, thinking “oh it can’t possibly be that bad”. Yes. Yes it can. I got dizzy and my sinuses burned like I’d just snorted nail polish remover.
Yes, you can certainly do it outside. It’s currently 1C outside for me so … not an option. Vapour protection it is then!
Is it worth it? Ohhhh baby. Yeah. I mixed the greenblue translucent paint with the black translucent paint and then diluted it with acetone. You must use acetone and not water because Deka translucent glass paint is solvent based. It will not play nice with water. You’ll have to use a solvent.
I airbrushed the paint onto the sword hilt. Heavier on the back of the handle and lighter toward the hilt and blade because I wanted it to fade into clear. I wasn’t bothered by the uneven “waves” in the paint where I sprayed it (a little too diluted I think) because I was trying to achieve a water-like effect.
What else do you need to know about Deka Transparent Glass Paint? It needs to set for 72 hours. So if you’re in a hurry, uh … well don’t be in a hurry. After the three days have passed, you should give it a heat-treatment.
The instructions recommend putting the piece in an oven but there’s two reasons why I can’t do that: 1. My piece is made of resin and will deform at roughly 100C, and 2. My sword won’t fit in my oven. So I’ll be using a heat gun (carefully!) to do the heat treatment.
I’m really excited to finish up the handle and show you the piece! I’m not sure if I’m installing a light in this one or not. I kind of want to but I’m nervous of cutting into that pretty blue handle now that I’ve got it all nice … we’ll see.
So there I was in the workshop, mixing up the resin for a sword. The resin had gelled so I had to re-liquefy it. No big deal, right? Well, despite it being the same resin I used to make the sabre for the Arabian Nights pinball machine, this one did not turn out completely clear.
It has clouds in it.
Now, this would be a difficult task to achieve on purpose. To do it purposefully, I would have to mix up a separate batch of resin with white dye, then do some very skilful pouring to get this kind of effect in a completely opaque mould without being able to see what I’m doing.
What happened? I have no idea. I’ve asked Hardcore Craft and they haven’t responded. There is no dye in this sword at all. It just did this by itself. The white parts are fully hardened. They don’t take any impression from a fingernail as I’d expect if it wasn’t fully cured. I’m baffled, to be honest.
What will I do with it? Finish it of course! But I can’t really say that it’s a Seraph Blade. Every Shadowhunters fan knows that a Shadowhunter’s blades are made of adamas, which is a crystal clear metal with angelic properties. Looks like glass, hits like mithril.
It will be an art piece, for sure. I’m just going to let the blade suggest its personality to me and trust in the crafting process.