I waited until today to show you guys this because I wanted to have a full set of photos from start to finish. It was a tough wait! This is so unbelievably exciting for me! A lot of you know how very frustrated I was with this project because there was just so very much to learn.
The fact is: you can read tutorials and articles and watch all the videos you like, but when it comes right down to it, practice is the most essential part of learning any skill. How firm or squishy will the silicone be when it’s fully cured? How warm does the container of mixed resin feel when it’s beginning to catalyse? How fast will it cure with the temperature and humidity of the room I’m working with? How does a vacuum pump sound when it’s running well versus running poorly? All these questions can only be answered by getting your hands on the materials and working with them.
Every mistake is a learning experience, but when your materials are this expensive, every mistake is costly. I’ve ‘wasted’ about 80-100 Euros worth of silicone to get where I am now and I have a lot more learning to do.
So you can imagine, after weeks and months of materials not arriving on time, machines not working, chemicals doing weird unexplained things, how overjoyed I was to open up the mould and see …
Perfect. It looked perfect. I couldn’t believe it. I had expected to fail, yet again, as I had failed so many times before. Expected it with such certainty that I could not accept that it had actually worked. I had convinced myself, with every heartbreaking flop that I was too stupid to get it right.
I poked the little side tubes where the air vents are because I was so afraid of messing up the sword after all this struggle. It was solid. No stickiness. No softness.
I put my fingertips on the blade of the sword, expecting to encounter a gummy, gluey surface. It was completely smooth. It was still warm from the exothermic catalysing process and it felt like a living creature.
Honestly, I teared up. I was so exhausted from fighting with this project and now it was finally here. All I could do for several minutes was just run my hands over it and marvel at how a bucket of thickish goo could become something like this.
I had been worried about clarity, unsure if this resin would be as beautifully transparent as the PMMA resin I’d been carving. Well, I snapped a photo straight down the pour-spout. I think I have nothing to be worried about. It’s so clear it looks hollow.
After nipping off the extra resin from the air vents and the spout (I affectionately call them ‘umbilical cords’ since that’s really what they looked like!) I buzzed off the seams around the edges with the Dremel tool. In this shot, I haven’t even started polishing it yet.
The edges are still scratchy from the Dremel. Can’t have that! The finish must be even!
This is polished. I gave it my favourite frosted finish (800 grit polish).
This sword is one I’m going to keep for myself and not just because it’s the first and very special because of that. There are some tiny air bubbles in it. I think it’s from when the mould started leaking because it wasn’t clamped tightly enough during the pour. The bubbles are only in the handle, mostly in the pommel which is exactly the point during the pouring that the resin started seeping out at the seams.
You can tell that these little imperfections are barely the size of a needle-point but you know what a stickler for perfection I am! I will be experimenting on this sword to see if I can get the bubbles filled with epoxy or other type of liquid resin and get the surface totally flawless. The bubbles that are encased in the resin I can’t do anything about, but that’s okay. I’m pretty sure no one but me can see them.
I want to make an even better quality mould with this sword since it’s smoother than the plaster prototype and I would have even less work to do with the polishing. That means better quality swords straight out of the mould, and less time taken with buffing so they can be in your hands sooner. Yay!
So what’s next for Clariel and when will I have swords available to sell? Well, technically, I could start putting out unlit blades right now, but for everybody wanting their swords with LEDs equipped, I’ve got to cast another sword, decide on the light mechanism I want to implant, mill out a slot for the light to go in, check and make sure the electronics work the way I want them to, make a mould for all the swords that will have lights in them.
Easy … peasy? Man I hope so after all this but I fully expect a “Mistakes with Metal” photo series to be coming up. Haha! Wish me luck okay?
Before I scamper off to the workshop, I want to thank you all from the bottom of my heart for being so supportive through all my frustrated yowling. Those of you who have commented on my page, in person, here on my website, the hugs, the suggestions, the shares, the likes, the kitten pictures, the coffee … it all helped so very much to keep me somewhat sane … okay functional while throwing myself at this project. The demon Depression is the scariest of all; it steals your will to fight, to even try. It needs a full team to defeat and it’s great to know you’re all part of my posse.
Stay awesome everybody. I’m off to make cool stuff.
2 thoughts on “First Resin-Cast Clariel!”
This looks amazing! I’m actually just about to attempt a resin seraph blade myself, so I was very excited to see someone else had the same idea. I hope I can get mine to come out as great as Clariel here.
Best of luck to you! Which resin are you working with?