Testing Products & Trying New Things

Hi folks! As promised, I wanted to give an update on things I have in the works and talk a bit about how I do research.

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Here’s a peek at my desk where I’m testing new products I haven’t used before. This is a scrap piece of acrylic that I’ve milled a few grooves in the top and applied some different coatings to see how they behave.

I found while I was making Heosphoros that the engravings on the blade needed some more opacity to stand out from the rest of the blade. But I couldn’t just paint any old substance into the grooves without knowing if it would stay there or melt the acrylic or crack … You get the idea. As you can see, the different substances have different opacity, different thickness, and different texture.

The varnish didn’t work at all. It just rubbed off when I touched it. The faux snow was ridiculously hard to work with and ended up really chunky. The … Glitzershnee? Don’t ask me to pronounce that. I can’t speak German. Anyway #2 was pretty cool but dried kind of soft. #1 was a kind of lacquer for colouring stained glass but I accidentally picked up the crystal clear stuff instead of the white. (#5 is the white stuff which turned out to be too opaque)

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So what ended up working the best? The liquid acrylic (which smells like the Devil’s personal port-a-potty) and a semi-sheer nail polish with mica particles in it for a very fine glitter. Gosh, it would have been great to know that before I spent 30 euros and several hours poking a piece of plastic with weird goo. Ha! But that’s just the way it goes. I still have to test stuff before it goes on the final product. Even the nail polish. Different companies use different chemicals to produce their stuff so you can never be sure if something will play nicely with the acrylic. There are SO MANY kinds of plastic guys. o_o So. Many. And by the end of my life I’m sure I will have smelled them all.

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So I’m working on a witchlight… It’s more complicated than I thought it would be. It’s really hard to get the right stiffness so that it lights up when squeezed so I’ve been thinking of a completely different way of engaging the light switch. The one you see here is 100% silicone and there’s a big ol’ air pocket around the light inside so it’s a no-squeezy. I have to actually fish the light out of the thing to turn it on and off. Too inconvenient. Plus I hate that the light rattles around inside. It really takes away from the “magic” effect.

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Plus … WHY THE H-E-DOUBLE HOCKEY STICKS DID THE SILICONE CURE TO THE ALUMINIUM FOIL?! Ugh. Maybe because some derpface forgot to give the foil a coating of petroleum jelly before plopping the silicone on it. Silicone is confusing guys. I’m just sayin’. Chemistry class did not prepare me for this.

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Anywho I do like how the opening is pretty well hidden until the silicone is squeezed and then it opens up like one of those rubber froggy coin purse things. It’s progress toward a witchlight I’d actually be pleased to sell. It’s not there yet, but the experimentation taught me a lot about the way silicone behaves and what it’s capable of.

I went out and purchased some actual powdered mica to mix into the silicone/plastic/whatever I end up making these things out of because I found that when the light is off, it doesn’t look so much like a rock as I would like it to. In fact, my first attempt at the silicone witchlight ended up looking like a big white booger or maybe somebody’s pet slime. … actually I might put googly eyes on it and just keep it as my shop mascot. Ha!

As I’ve said before and I’m sure to say it a hundred times more: art is about 90% problem solving. You get an idea, and then you have to figure out how to make it real. The other 10% is kind of a mix between stubbornness and insanity.

That’s all from me for now folks. I’ve go to get my butt to the workshop and polish up a Jahoel. See ya later!

Author: Ethan Kincaid

Ethan Kincaid was born in 1985 in Brockville, a sleepy little town on the St. Lawrence River. He graduated from Carleton University in Ottawa with a degree in Linguistics and a minor in Japanese Language. After finishing his education, he settled down there with his wife Kaitlyn and became a full-time writer. In 2011, he moved to Montreal and discovered its vibrant writing culture. In 2015, Ethan moved to Helsinki, Finland with his wife; he works as a props crafter and part time author. His first book, Blood of Midnight: The Broken Prophecy is the first of a new fantasy trilogy. The greatest joy in his life lies in helping budding writers find their voices. In his words: "I like to shake people until cool stuff comes out!"

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