Artistic Accidents

So, I was trying to make a lovely smooth, flawless, transparent coating of red over a clear sword. I had to strip it all off and re-finish the blade completely three times before I realized that it was absolutely impossible to get a coating free of drips without an air-brush unit. Which I don’t have.

I tried giving it an extra thick coating and then sanding it down, hoping for an artificially-created flawless finish. But there was no getting around it; there were still drips and …

wait a minute …

That actually makes a really cool pattern!

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I accidentally produced a lacy pattern much like Damascus steel on a semi-transparent blade. My wife, who is very much a fan of blacksmithing and adores the Damascus patterns told me on no uncertain terms to do the whole blade like that.

So here it hangs in the closet dripping bloody red into a bucket while it dries. Spinner isn’t even finished and it is already hands-down the weirdest sword I’ve ever made.

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Of course, as a side effect of dribbling the glass paint all over the sword, it got other places too.

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Paint. Yes … just paint. Ahem. *closes the cupboard*

Author: Ethan Kincaid

Ethan Kincaid was born in 1985 in Brockville, a sleepy little town on the St. Lawrence River. He graduated from Carleton University in Ottawa with a degree in Linguistics and a minor in Japanese Language. After finishing his education, he settled down there with his wife Kaitlyn and became a full-time writer. In 2011, he moved to Montreal and discovered its vibrant writing culture. In 2015, Ethan moved to Helsinki, Finland with his wife; he works as a props crafter and part time author. His first book, Blood of Midnight: The Broken Prophecy is the first of a new fantasy trilogy. The greatest joy in his life lies in helping budding writers find their voices. In his words: "I like to shake people until cool stuff comes out!"

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