Novel Character Template

I find that organizing all the data I have on my characters, locations, etc really help me when working on a book. It can be hard sometimes to keep everything straight. “What was so-and-so’s uncle’s name?” and “Errr what colour were his eyes again?” can be easily answered with a character sheet much like you might have for a roleplaying character.

Unlike a roleplaying character, though novel characters tend to need some different categories for info. For example: They don’t need hit points and they probably don’t need a list of what’s in their inventory, but they do need a good list of hobbies and a description of what their home looks like.

I browsed online to see what templates were out there for novel characters and simply couldn’t find anything that suited me. So, I made my own. I will share it here, filled out with the stats for an as-yet unused character concept I had just so you can see how I make use of the fields. Feel free to download it and use it, add to it. Whatever you like. I hope it serves you well.

Make good art!

Edit: Since Google Docs seems to like to muck with my picture-placement for no discernable reason, here is the same document in .odt for those of you who use Open Office.

Enjoy!

Stepping Into the Scene: A Writing Exercise

So my writers’ circle had a meeting this evening and we did a really interesting exercise I’d like to share with you because it was extremely effective for me as well as the other members who participated. If you’re good at visualizing things during meditation, you’re already way ahead of the game here. If not, it might be something you’d like to try.

What we did was this: each of us picked a scene from a project we were working on. Didn’t matter if it was a main project or something pulled from the back-burner … or dusty broom-closet. Then, we designated a mat on the floor to be our working space. One at a time, we would sit while another member read out the scene we had selected while we sat, eyes-closed and listened, visualizing the scene taking place as clearly as possible as though we were watching it take place in the space of the mat in front of us.

Then, the author of the scene would step onto the mat, assume the position that the character was currently in and proceed with the scene from its beginning to its conclusion.

If it were just that, it would be an interesting roleplay/guided meditation session. But that was not, in fact, all there was to it. The other members of the group asked questions of the character to which the author (in the character’s shoes) responded based on what they could see, hear, smell, etc. They asked questions about what emotions the character was feeling, what they had done previous to that scene, what they planned to do afterwards and what was currently weighing on their mind, what they were wearing, what everything around them looked and sounded like, all while one member of the group took notes on everything the character said. (It’s a good thing we can all type really fast!) Together we wrung all the details out of that scene that there was to be had and saved the information to be used by the author later.

The beauty of this exercise is that one can squeeze precious details out of a scene that seems dry and uninteresting. One can connect with a character or a situation that feels distant or a bit fuzzy/unreal and bring the scene to life.

The end result? I stepped onto the mat with a vague character concept and a few bits of plot strung together and exited the mat with a fully developed novel plot and fleshed out character with believable emotions and motivations in 45 minutes. This was the equivalent of months worth of work for me. And it was FUN.

So, if you can find some friends to help you out with this endeavour, I heartily recommend it. Good luck!